![]() ![]() Understanding that “timing is everything” in comedy, the narrator delivers the lines with perfect pacing.” Audiofile, 2001. “Nick Sullivan's narration complements this hilarious plot, creating unique voices for each character that hit the mark exactly. Each Pronzini book is an event, and Nick Sullivan as the reader adds fanfare and glitter to the interpretation.” AudioFile 1999. African-American and ethnic characters are perfectly captured, as well. His female voices are particularly effective and enjoyable each time any of the women speak. “Narrator Nick Sullivan is fantastic each character is a unique individual. His rhythm and pace reflect the fast action without exaggerating it.” AudioFile 2004 For a male narrator, he is also unusually good with female voices. ”All of the characters are New Yorkers of one stripe or another, and Nick Sullivan does an excellent job of placing them in one or another of the five boroughs. ![]() THE BURGLAR ON THE PROWL by Lawrence Block ”Sullivan's deadpan is dead-on, and if you listen to audiobooks in public, be aware that you may be subject to spontaneous fits of laughter.” AudioFile 2008 GUN, WITH OCCASIONAL MUSIC by Jonathan Lethem Sullivan creates truly authentic voices for Paz (a Cuban-American), Emmylou (a rural Southerner), and all the other characters, incorporating emotions with just the right shading. ”Interpreted by narrator Nick Sullivan, Gruber's novel is pitch-perfect throughout. Popper's Penguins by Florence & Richard Atwater Library Journal's list of “Best Audiobooks of 2007”: Savages by Bill Pronziniīooklist's Top Ten Mystery Audiobooks: The Fugitive Pigeon by Donald WestlakeĪudiofile's 2010 list of the best audiobooks for Families and Kids Mr. ![]() “Within the first fifteen minutes, I knew that this recording of JR was a work of audiobook narration in a class of its own, a tour-de-force of interpretive skills that represents a real landmark in this medium.” William Gaddis’s JR, Neglected Books 2010 Heroes always get into difficulty.Featured on Neglected Books. I use these moments in my VO work to relive the feeling of fear, panic, desperation or whatever emotion my character is feeling at that moment in the story. He hooked me up to the tow winch and I was then expected to make three circuits and landings without killing myself. My instructor suddenly jumped out of the back seat and said: "Off you go then". Oh my God Moment occured when I was a 15-year-old Air Cadet and was learning to glide at an old RAF base in Kent. ![]() Scariest experience: Standing on the shore in Barbados, carrying my short-board windsurfer, fully rigged, watching the wind rip the tops off the huge rolling waves, and finding myself unable to step into the water. Strangest experience is losing my sense of up and down, while skiing on the top of the mountain in Whistler BC, on an icy and foggy day when my legs felt like jelly. My narration heroes are RC Bray (Expeditionary Force), Cobner Holbrook Smith (Peter Grant series), and Anton Lessing (Shardlake series). I am transported, at a touch of a title in my phone's extensive audio library, to the perils of outer-space in the company of an ancient but irrascible and peculiar AI, the violence and tension of the Tudor era, or to the amazing life and adventures of a London bobby with strange magical powers.Īn amazing narration is what I want to achieve more than anything else. ![]()
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